![]() ![]() Use deflate only when client requests to use graphql-deduplicator, e.g. There are more than 10 alternatives to Bookmark Deduplicator for a variety of platforms, including Windows, Google Chrome, Mac, Linux and Online / Web-based. Best practices Enable compression conditionallyĭo not break integration of the standard GraphQL clients that are unaware of the graphql-deduplicator. Bookmark Deduplicator is described as Remove bad and duplicated bookmarks from Firefox and is a bookmark manager in the web browsers category. Note: apollo-boost will be discontinued starting Apollo Client v3. Therefore, it is not possible to use graphql-deduplicator with apollo-boost. It is not possible to configure link with apollo-boost. import ) export default apolloClient Example usage with apollo-boost In case of the earlier example, the response becomes: In case when a response includes large and often repeated fragments, this will reduce the response size 10x, 100x or more times. This information is enough for apollo-client to identify the resource as duplicate and skip it. For all duplicate records we only need to return _typename and id. The good news is that we do not need to return body of duplicate records (see How does it work?). Parsing 1.5MB JSON string is (a) time consuming and (b) memory expensive. However, the problem is that upon receiving the response, the browser needs to parse the entire JSON document. When gziped, that number dropped to 100KB. A query retrieving 300 events produced a response of 1.5MB. ![]() I've run into this situation when building. ![]() But once he pulls the sword Excalibur from the stone, his life is turned upside down and he is forced to acknowledge his true legacy. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. "synopsis": "When the child Arthur’s father is murdered, Vortigern, Arthur’s uncle, seizes the crown. "name": "King Arthur: Legend of the Sword ", This allows to make queries that return large datasets of repeated data without worrying about the cost of the response body size, time it takes to parse the response or the memory the reconstructed object will consume. Graphql-deduplicator is designed to reduce the GraphQL response size by removing body of duplicate entities. graphql-deduplicator strips body (fields other than _datatype and id) from all the duplicate entities. As a result, when GraphQL API response contains a resource with a repeating identifier, the apollo-client is going to read only the first instance of the resource and ignore duplicate entities. The resource identifier is used to normalize data. _typename and an id values are used to construct a resource identifier. Graphql-deduplicator has been tested with apollo-client. If your client automatically does not request _typename and id fields, these fields can be specified in your GraphQL query. Graphql-deduplicator works with any GraphQL client that appends _typename and id fields to every resource. The Instantgram bookmarklet.Removes duplicate entities from the GraphQL response. javascript: (function() )() Download Full-Size Instagram ImageĪ full-size version of an image on Instagram is with One lets you select text on sites that don’t let you. Void(document.oncontextmenu = null) Enable Text Selection Use this bookmarklet to instantly unlock the restriction. javascript:void(location.href=''+encodeURIComponent((' Enable Right-Clickĭisabled, which can be rather frustrating if you want to save an Page’s URL into something much cleaner, courtesy of. Use this URL shortener bookmarklet to instantly convert the Tip: There are several situations where a bookmarklet might come in handy, so having a single folder on the bookmarks bar where you store all of them is a great idea. To save the bookmarklet right where you clicked. Here’s what to do – highlight the bookmarklet code that you want ( only the code, nothing else), copy it, and paste it into a new bookmark in your browser.īookmarks bar and select Add page. This way in order to get them added to your browser window. This isn’t how you’ll see them in yourīrowser once you’ve “installed” them, but you need to see them It’s the setup process that might confuse some people. Low compared to full-fledged browser add-ons.Ĭlicking it. ![]()
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![]() ~ Directly links to the WavePad Sound Editor Software so you can edit the files you have recorded. ~ Recordings can be searched easily by date, time, duration or format. ~ Saves files in wav or mp3 format with a wide range of selected codec and compression options. ~ Records what is being input into the PC at the same time (optional). ~ Lets you listen as you record (optional). ~ Records any sound you can play on your PC. As long as you have a player, you can use this software to convert the file. ![]() ~ Converting audio recorded in 'proprietary' audio formats to wav or mp3. ~ Recording of VoIP calls, softphones or instant messaging audio by companies for legal reasons. ~ Recording internet radio and other streaming audio. Typical application of this stream ripper are: All audio is 'tapped' by a virtual driver directly within the kernel so the process is perfect digital quality. Simply install this software, turn it on and then all sound played on or through the PC will be recorded as wav or mp3 files. Universal Registration Codes // UsernameĪppNee provides the SoundTap Streaming Audio Recorder Professional Edition multilingual full installers and all versions universal registration codes, portable full registered versions for Windows 32-bit & 64-bit, as well as pre-activated versions for Mac.SoundTap lets you record just about any audio that plays through your Windows computer including streaming radio, VoIP calls and Instant Messaging conversations.
![]() ![]() And in general it will give me rage or warm if I’m holding a torch or by a fire. certain times it seems like it’s a random buff, but the hint says it depends on where you are. I’m still trying to figure out how to control the elemental buff spell from the wind trainer. I’m guessing there is a spell or boon that does the same thing as well because I’ve gotten it randomly from one of my spells. Lightning damage boost comes from bless potion. It’s more like a small tornado looking thing? But it does a small amount of electric damage, still does high stability damage just like regular mana push and travels a fair distance. It’s not the ball of lightning, that’s one of the advanced rune spells. I think lightning is among the regeluar spells that are hard to get adamage boost for. The mana infusion spell gives a buff to fire damage in a fire sigil but sadly does not appear to do anything in the wind sigil. Oh? That’s interesting I thought it just gave electricity to the push spell as I never saw it throw an electric orb out. ![]() Originally posted by Oura_in_flames:So far I only have the wind Sigil trainer maxed out, plus the four basic rune spells, but I’ve seen videos of people doing wonderful and devastating things with Sigil magic, as well as rune magic. I don’t have the other sigils yet so if someone wants to test what conjure does on those that would be great. In theory the set up would be a pain, but you can summon your minion and attack onto your Sigil from a distance. But it gets better! This doesn’t stop conjure’s other effect of raising a minion. If you use conjure while there is a wind Sigil active near you, you don’t have to stand in it for this one, it will conjure a giant lightning bolt from the sky onto the Sigil and does massive damage and aoe explosion. Hint, it’s not just for summoning dead :) Spark inside of a wind Sigil does an aoe explosion around you for decent damage So far I only have the wind Sigil trainer maxed out, plus the four basic rune spells, but I’ve seen videos of people doing wonderful and devastating things with Sigil magic, as well as rune magic.įor example mana push usually just knocks off a large chunk of stability with no damage, and is very close range so risky unless you’ve already damaged stability.ĭo it inside of a wind Sigil and it throws a long range electrified bolt of wind that does some damage and still does the very high stability damage. they literally summon a 1h or 2h sword to use instead.Īt this point in the game im finding it really hard to be a pure mage type character and that really sucks for my style of play. The only easy access ranged magic u can get is the charcrums which take up ur offhand as u need it equiped and the spell, so no staffs, sigils need a book but can later get a skill to no longer need the book, and the flamethrower spell u get requires u to have a lantern in off hand so only runes will really get to use 2h staff, but rune magic doesn't have any long range attack spells. it makes it really hard in the maze like dungeons too. With magic this is even worse as you will be comboing ur spells so u don't really have room to place certain spells in ur quick slot and will need to regularly navigate the menu to pre cast some spells before combat, and god help u if u get jumped. So swapping gear mid combat so ranger going to sword and shield u lose 3 slots basically to do that, then for abilites for both sword and bow take up a couple slots and u have 1/2 slots left for potions. Now all this is neat but the game only gives u 8 quick slots that will fill ur abilities/items/equipment. There are also rune spells from the sage trainer, 4 dif runes and u cast a combination of 2 of them to create their spells that last for a little while. there is a spell fire sigil that uses up a fire stone and places down a mark on the ground where u cast it, while standing in there if u cast spark it will cast fireball instead which has range and dose good damage. spark on its own is a tiny explosion in front of you and not worth using for anything other then lighting camp fires. As far as i have worked out, some spells work together. ![]() ![]() Using the remote, you can start a recording, pause, resume, and stop, all without the Screenflick interface being visible in your final recording. 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I'll be forever grateful that Tom Petty came into my life to teach me that, right when I needed it most.The story of “Wildflowers” is documented in The Ringer as follows: The lesson of "Wildflowers" is that we all belong somewhere we feel free. Yourself, and you'll probably be alright." "Everybody's been knocked around a little bit," Petty reminds us in the clip, "but you've got to keep some faith in ![]() You Feel Free" come from that 1994 interview, and if you listen closely you can hear the rain in the background. But I got to meet Tom Petty and work with an early mentor, Tom Kaniewski, who taught me how music docs are made. It rained so hard the entire time that I never got to see the California sun. But for the most part, the film manages to stay captive to the "Wildflowers'' era, likeĪ time capsule meant to be opened in 2021.īack in 1994, I was a young associate producer at VH1 when I got to work on a documentary about Tom Petty at the time that he was releasing "Wildflowers." The interview shoot was in Los Angeles and that was the first time I'd ever been to California. It was a choice that forced us to work harder to get the story right, because we were limited to just a few recordings. It seemed important that his voice remain in that time and place The feeling of an older man looking back was conspicuous even when you couldn't see his face on-screen. We tried more recent soundbites it always became disjointed. To bring Tom's voice into the film, we chose to only use interviews from the time of "Wildflowers," because when It's slippery, beautifulĪll of the new footage for the documentary was also shot on 16mm film so that we'd never have to feel the hard, steely edge of digital video. As viewers, we get to watch him find his way into a song, and when he gets there it feels like catching a garden snake in a jar. Gets messy, and you can see in the film that Tom isn't always sure of himself. Whereas most major artists these days are only seen in tightly edited and overly polished imagery, here we get a rare, unvarnished view of a master of his craft at work in the creative process. The editor Mari Keiko Gonzalez and I agreed that we wanted this film to have a loose, classic Martyn Atkins, who filmed most of the material,ĭid an amazing job of capturing these events in such a beautifully intimate way, and the camaraderie in the studio is palpable. The footage of Tom Petty making his "Wildflowers" album with Rick Rubin, Mike Campbell, Benmont Tench, Howie Epstein, Steve Ferrone and George Drakoulias is truly a treasure. It was like carrying around a box of sunshine in a dark time. I hung up and danced with joy, and then spent the next eight months with Tom Petty's music in my head, 24 hoursĪ day. She and the film's producer, Peter Afterman, had been talking about me. 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